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Nakaya pens captured our attention some years
back with their simple designs and sumptuous surfaces. Comprised
of senior members of Platinum Pen Company, Nakaya Pen Company is dedicated
to the highest standards of creative, aesthetic and functional art.
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Pens in stock are
listed with an a. For a comprehensive
price list as well as a peek into our inventory based on model
and color, please see our Nakaya
Pen Availability Chart. |
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The results seen here reflect
the time honored tradition of urushi application, where a glow
is created from within of a lighter color showing through the
darker outer color. As these pens age with much time in the
hand, the glow increases. The inner color becomes more dominant.
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Urushi is obtained as sap from
the urushi tree 'RhusVerniciflua' which originally comes from
the Himalayas. The urushi tree is to be found mostly in Southeast
Asia, particularly in countries such as Japan and it prefers
a warm climate. Most of the sap comes from the male tree. (The
female tree produces seeds for food and fuel.) |
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| 2009 sees the first of the new barrel
and cap design of the Nakaya Neo Standard. The long taper and
domed ends give this pen the handle shape of some paint brushes
we have known. |
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| In Japanese culture an old object gains respect
and value by virtue of its service and careful wear. These are
just this sort of object. With proper care, they will last generations
and become all the more appreciated as a result of their use. |
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The darker color "breaks"
along the edges and at the ends. |
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View
Nakaya Deskpen Fountain Pen Options |
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Click
here for pens we have in stock right now. Each is listed with
an a. |
To
see samples of the different color urushi and some of the special
finishes available click here |
For
Nakaya and other pen measurements please click
here.
Since NAKAYA pens are all hand-made, the dimensions may vary. |
| Nakaya now offers both gel point (roller
ball) and ball point in all of long and portable pens. The price
is $40 less than the model with a standard single-tone nib. |
Finally, we have a terrific translation
of the "mono magazine" article, published in Tokyo in
the spring of 2008. This article was photographed and composed
at the time of John Mottishaw's visit to Nakaya Pen's facilities.
Click here to read this translation. |
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