Namiki Emperor
Crane Fountain Pen |
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Along with the Namiki Goldfish, the Emperor
Crane is the beginning of a new series (2009) of "flat
top" pens. This "flat-top" design exploits a
traditional series of materials including quail shell and abalone
fragments. High art culture in Japan has long honored nature.
The urushi lacquer master, Gonroku Matsuda, (1896 - 1986) chose
nature scenes for depiction on Namiki pens through his illustrious
career |
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With its mythical 1000 year life, the crane
has been a symbol of longevity and good fortune. After World
War II it also came to represent world peace. Here, with the
pen as a kind of canvas, we see the cranes dancing against the
dark, with raden, silver and gold enlivening the surface. |
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| Tree motif from lower cap. |
Water motif from lower barrel. |
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This
is the finest example of quail egg shell employed in a
design that we have seen. Notice the layered effect of
the shell to the left in depicting the crane's wings |
The tail feathers, legs and beak are
crafted in gold pigment. |
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The limited "canvas" of this
fountain pen is a perfect place to explore detailed and miniature
art. The Crane is a fine example of that art. |
We have been told by our distributor that
the Crane will be made in very limited numbers. Only four or
so will enter the US market each year. Therefore, although this
is not a limited edition pen, there will never be many of them
and they may be difficult to procure.
The Emperor Crane
will replace
the Emperor Rabbit
in Moonlight. |
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| Intense detail is married to superb composition.
The overall effect is stunning. |
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If this pen could take flight, it would.
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Retail $13,500.00 Our
price $10,800.00 |
Please call for further information. |
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The following information is from Namiki's certificate of authenticity:
"The Crane design incorporates four different Maki-e techniques, Togadashi-maki-e (burnished Maki-t), Taka-maki-e), Raden (abalone shells) and Rankaku (quail egg shells). Togidashi-maki-e is a method in which gilded patterns are dried, recoated with urushi, and finally burnished to a high sheen using charcoal. This style of Maki-e dates to the 7th century. The Taka-maki-e method is a Maki-e applied on patterns in raised relief and dates to the 12th century. The Raden and Rankaku lacquering styles used in order to create an overall feeling of depth and dimension. Execution of these techniques requires great expertise and experience."
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