Nakaya
Nakaya Long Cigar Matte Black Hairline
Nakaya Long Cigar Matte Black Hairline
The Nakaya Long Cigar Matte Black Hairline fountain pen conveys an understated, quiet authority. It is durable and subtle while revealing the smooth, tapered Long Cigar shape.
These pens are hand turned from solid rod stock, then lacquered with multiple layers of natural resin.
Even with its long size, this writing instrument is extremely well-balanced in the hand.
In matte black finish, raw ebonite is given a thin layer of clear Urushi finish to protect against oxidation and wear. Ebonite hard rubber is a classic material for quality fountain pens - many ebonite pens produced a hundred years ago and more are still in everyday usage. The non-reflective surface gives off a subtle sheen and provides textural intrigue in the hand.
Nakaya pens can be filled with bottled fountain pen ink using the provided converter, and can also use Platinum brand ink cartridges. Hand-painted Maki-e converters are also available.
Though made available in the full range of Nakaya nibs, the ruthenium-plated nib complements the stealthy look of the matte black finish and provides just the right amount of contrast.
Decorative rice paper, a simple solid softwood shipping box decorated with Japanese Kanji script, and a fabric pen ""kimono"" are all included with this pen, making it a lovely presentation item.
Sensible and elegant packaging has long been a hallmark of the Nakaya brand.
Nakaya pens are individually handcrafted in a process that requires a minimum of three to six months and often much longer.
Couldn't load pickup availability
Customization Guide
Stub
 
|
Above is the same size nib after a regrind to Stub. A regrind to Stub is often a good place to start for your first customization. Â A Stub nib provides broad down-strokes and narrow cross-strokes while writing, and is less position-sensitive on the paper than the crisper and slightly more demanding cursive italic.
|
Cursive Italic
 
|
More demanding, but also providing crisper edges and more line-width variation, is the very popular customization to Cursive Italic. This also provides broad down-strokes and narrow cross-strokes, but is also more position-sensitive in terms of how the pen is held and requires more skill on the part of the user. This is a common customization for artists and calligraphers, but is still smooth enough to make for a good everyday writer.
|
Formal Italic
 |
Formal Italic is an even crisper and more demanding customization than either cursive italic or left oblique, and is usually utilized for calligraphy and by the most experienced users. This provides broad down-strokes and narrow cross-strokes, with even crisper corners and edges than a cursive italic - this is an extremely position-sensitive customization.
|
Left Oblique
 |
 Commonly used for signatures and correspondence, the Left Oblique customization provides broad diagonal strokes and narrow cross-strokes, and like a cursive italic, is more position-sensitive and demanding than a stub. The whole pen must be rotated to the left in order to write smoothly, without skipping. The "Left" in Left Oblique refers to the cut of the nib itself, and does not refer to the handedness of the writer. |
Architect's Point (Also for Arabic and Hebraic writing)
 |
A more exotic regrind is that to Architect’s Point. Named after the style of writing used by Frank Lloyd Wright, this regrind is the opposite of cursive italic, and provides for broad cross-strokes and narrow down-strokes. This also tends to be a particularly useful customization for those practicing Arabic or Hebraic calligraphy. |
Spencerian
 |
Perhaps our most popular customization, but also one of the most advanced, the Mottishaw Spencerian Customization has gained special attention from being featured in a customer's YouTube video which has now received over twelve million views! The Spencerian starts from a semi-soft 14k nib and adds additional flex and a regrind to needlepoint to create a specialized writing point used for copperplate calligraphy. For more details, visit our special Spencerian page.. |