Nakaya
Nakaya Long Writer Ishime-Kanshitsu Heki-tamenuri
Nakaya Long Writer Ishime-Kanshitsu Heki-tamenuri
This is the Nakaya Long Size Writer (with clip). This pen is hand turned from solid hard rubber rod stock, then lacquered with multiple layers contrasting colored natural urushi resins.
The beauty of the Long Writer is its simple elegance. We find that posting the cap on the back of the barrel is unnecessary with a pen of this length, as the balance feels just right in the hand.
The long gripping section, also coated in the stone-finish (Ishi-me Kan-shitsu) has a sensuous feel between the fingers. This Long model, the ""Writer"", with clip, has the added practicality of a pocket clip. Although it is too long for all but the deepest pockets. the clip serves as a roll-stopper, keeping the pen from rolling onto the floor from a smooth desk surface.
The stone finish on this pen shows a big difference in color between the amoeba like high spots and the deeper lacquer color in between. This highly controlled surface is masterfully applied to the pen.
The solid gold 14K nib is imprinted with ""Nakata,"" the family name of the manufacturer.
Each of these nibs is suitable for our customization to add flexibility. The medium, broad and extra broad tip can be customized into a cursive italic, stub or oblique point.
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Customization Guide
Stub
 
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Above is the same size nib after a regrind to Stub. A regrind to Stub is often a good place to start for your first customization. Â A Stub nib provides broad down-strokes and narrow cross-strokes while writing, and is less position-sensitive on the paper than the crisper and slightly more demanding cursive italic.
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Cursive Italic
 
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More demanding, but also providing crisper edges and more line-width variation, is the very popular customization to Cursive Italic. This also provides broad down-strokes and narrow cross-strokes, but is also more position-sensitive in terms of how the pen is held and requires more skill on the part of the user. This is a common customization for artists and calligraphers, but is still smooth enough to make for a good everyday writer.
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Formal Italic
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Formal Italic is an even crisper and more demanding customization than either cursive italic or left oblique, and is usually utilized for calligraphy and by the most experienced users. This provides broad down-strokes and narrow cross-strokes, with even crisper corners and edges than a cursive italic - this is an extremely position-sensitive customization.
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Left Oblique
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 Commonly used for signatures and correspondence, the Left Oblique customization provides broad diagonal strokes and narrow cross-strokes, and like a cursive italic, is more position-sensitive and demanding than a stub. The whole pen must be rotated to the left in order to write smoothly, without skipping. The "Left" in Left Oblique refers to the cut of the nib itself, and does not refer to the handedness of the writer. |
Architect's Point (Also for Arabic and Hebraic writing)
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A more exotic regrind is that to Architect’s Point. Named after the style of writing used by Frank Lloyd Wright, this regrind is the opposite of cursive italic, and provides for broad cross-strokes and narrow down-strokes. This also tends to be a particularly useful customization for those practicing Arabic or Hebraic calligraphy. |
Spencerian
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Perhaps our most popular customization, but also one of the most advanced, the Mottishaw Spencerian Customization has gained special attention from being featured in a customer's YouTube video which has now received over twelve million views! The Spencerian starts from a semi-soft 14k nib and adds additional flex and a regrind to needlepoint to create a specialized writing point used for copperplate calligraphy. For more details, visit our special Spencerian page.. |