Nakaya
Nakaya Naka-ai Writer Shu Unpolished
Nakaya Naka-ai Writer Shu Unpolished
Rich matte Unpolished Shu has long been one of the most popular of Nakaya's solid color finishes. This red color has a soft sheen carefully created by multiple applications of urushi lacquer. As always seems to be the case, the tapered lines of the Naka-ai seem to showcase this color as no other model can.
Designed by Nakaya master pen designer Shinichi Yoshida in collaboration with John Mottishaw, the Naka-ai, with its peaked ends and tapered body, combines many of Nakaya’s most distinctive design features in a single model. ""Naka-ai"" has the meaning of middle or in-between, and brings to mind the Middle Way of Buddhist practice with its emphasis on balance, integrity, and centeredness. Appropriately enough, the Naka-ai occupies a midway position between Nakaya's smaller Piccolo series pens and the longer desk pen.
Nakaya pens are individually handcrafted in a process that requires a minimum of three to six months and often much longer. Unless requested otherwise, each pen or nib you purchase from us will be carefully examined, tested, and optimized for your personal writing characteristics before it ships. See our nib set-up and optimization page for more details.
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Customization Guide
Stub
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Above is the same size nib after a regrind to Stub. A regrind to Stub is often a good place to start for your first customization. A Stub nib provides broad down-strokes and narrow cross-strokes while writing, and is less position-sensitive on the paper than the crisper and slightly more demanding cursive italic.
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Cursive Italic
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More demanding, but also providing crisper edges and more line-width variation, is the very popular customization to Cursive Italic. This also provides broad down-strokes and narrow cross-strokes, but is also more position-sensitive in terms of how the pen is held and requires more skill on the part of the user. This is a common customization for artists and calligraphers, but is still smooth enough to make for a good everyday writer.
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Formal Italic
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Formal Italic is an even crisper and more demanding customization than either cursive italic or left oblique, and is usually utilized for calligraphy and by the most experienced users. This provides broad down-strokes and narrow cross-strokes, with even crisper corners and edges than a cursive italic - this is an extremely position-sensitive customization.
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Left Oblique
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Commonly used for signatures and correspondence, the Left Oblique customization provides broad diagonal strokes and narrow cross-strokes, and like a cursive italic, is more position-sensitive and demanding than a stub. The whole pen must be rotated to the left in order to write smoothly, without skipping. The "Left" in Left Oblique refers to the cut of the nib itself, and does not refer to the handedness of the writer. |
Architect's Point (Also for Arabic and Hebraic writing)
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A more exotic regrind is that to Architect’s Point. Named after the style of writing used by Frank Lloyd Wright, this regrind is the opposite of cursive italic, and provides for broad cross-strokes and narrow down-strokes. This also tends to be a particularly useful customization for those practicing Arabic or Hebraic calligraphy. |
Spencerian
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Perhaps our most popular customization, but also one of the most advanced, the Mottishaw Spencerian Customization has gained special attention from being featured in a customer's YouTube video which has now received over twelve million views! The Spencerian starts from a semi-soft 14k nib and adds additional flex and a regrind to needlepoint to create a specialized writing point used for copperplate calligraphy. For more details, visit our special Spencerian page.. |