S.T. Dupont
S.T. Dupont Line D Eternity Honey & Gold
S.T. Dupont Line D Eternity Honey & Gold
Presenting the S.T. Dupont Line D Eternity Honey & Gold fountain pen! Experience the allure of our honey-toned masterpiece, harmoniously contrasted by yellow gold trim, offering a classic and refined aesthetic for those who appreciate timeless sophistication in their writing instruments. Feel free to explore the other colors in this collection: 'Burgundy & Gold' and 'Blue & Rose Gold'.
Introducing the Dragon Scales in Eternity Honey Finesse Line D Large Fountain Pen by S.T. Dupont! This latest Guilloche Under Lacquer collection for 2024 showcases exciting innovations, including the new 'Angel' fountain pen nib and the oversized 'Eternity' Line D Large model. Each fountain pen boasts S.T. Dupont's new 'Angel' nib, meticulously crafted from 14ct gold, ensuring a smooth writing experience.
Introducing the Guilloche Technique
This innovative collection showcases the "guilloche" technique, originating from the French term "engine turning," which engraves precise geometric patterns into a base material. For this release, S.T. Dupont chose a detailed design reminiscent of dragon scales, enhanced with vibrant S.T. Dupont lacquer, resulting in a breathtaking finish.
Line D Eternity Large
Experience the updated Line D Eternity large pen, featuring a redesigned sword articulated clip, a lacquered Dupont 'D' on the cap crown, and a perfectly balanced shape for exceptional writing comfort. The engraved pen cap securely closes with Dupont's iconic 'cling' and boasts a fluted grip section, ensuring a superb writing experience with every stroke.
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Customization Guide
Stub
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Above is the same size nib after a regrind to Stub. A regrind to Stub is often a good place to start for your first customization. A Stub nib provides broad down-strokes and narrow cross-strokes while writing, and is less position-sensitive on the paper than the crisper and slightly more demanding cursive italic.
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Cursive Italic
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More demanding, but also providing crisper edges and more line-width variation, is the very popular customization to Cursive Italic. This also provides broad down-strokes and narrow cross-strokes, but is also more position-sensitive in terms of how the pen is held and requires more skill on the part of the user. This is a common customization for artists and calligraphers, but is still smooth enough to make for a good everyday writer.
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Formal Italic
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Formal Italic is an even crisper and more demanding customization than either cursive italic or left oblique, and is usually utilized for calligraphy and by the most experienced users. This provides broad down-strokes and narrow cross-strokes, with even crisper corners and edges than a cursive italic - this is an extremely position-sensitive customization.
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Left Oblique
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Commonly used for signatures and correspondence, the Left Oblique customization provides broad diagonal strokes and narrow cross-strokes, and like a cursive italic, is more position-sensitive and demanding than a stub. The whole pen must be rotated to the left in order to write smoothly, without skipping. The "Left" in Left Oblique refers to the cut of the nib itself, and does not refer to the handedness of the writer. |
Architect's Point (Also for Arabic and Hebraic writing)
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A more exotic regrind is that to Architect’s Point. Named after the style of writing used by Frank Lloyd Wright, this regrind is the opposite of cursive italic, and provides for broad cross-strokes and narrow down-strokes. This also tends to be a particularly useful customization for those practicing Arabic or Hebraic calligraphy. |
Spencerian
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Perhaps our most popular customization, but also one of the most advanced, the Mottishaw Spencerian Customization has gained special attention from being featured in a customer's YouTube video which has now received over twelve million views! The Spencerian starts from a semi-soft 14k nib and adds additional flex and a regrind to needlepoint to create a specialized writing point used for copperplate calligraphy. For more details, visit our special Spencerian page.. |